' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_ba4b5ec1-7f62-4fa8-8d89-8f67320dac30" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-ba4b5ec1-7f62-4fa8-8d89-8f67320dac30'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-ba4b5ec1-7f62-4fa8-8d89-8f67320dac30'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-ba4b5ec1-7f62-4fa8-8d89-8f67320dac30'));
1949
續 青い山脈
Directed by Tadashi Imai
Synopsis
Continuation of The Blue Mountains: Part I. Released a week later.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_df575816-d315-414c-bec5-819e8ed4287c" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-df575816-d315-414c-bec5-819e8ed4287c'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-df575816-d315-414c-bec5-819e8ed4287c'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-df575816-d315-414c-bec5-819e8ed4287c'));
- Cast
- Crew
- Details
- Genres
- Releases
Cast
Setsuko Hara Ryō Ikebe Yōko Sugi Michiyo Kogure Ichirō Ryūzaki Hajime Izu Setsuko Wakayama
DirectorDirector
Tadashi Imai
ProducerProducer
Sanezumi Fujimoto
WritersWriters
Tadashi Imai Toshirō Ide
Original WriterOriginal Writer
Yōjirō Ishizaka
CinematographyCinematography
Asakazu Nakai
Art DirectionArt Direction
Takashi Matsuyama
ComposerComposer
Ryōichi Hattori
SoundSound
Hisashi Shimonaga
Studios
TOHO Fujimoto Production
Country
Japan
Language
Japanese
Alternative Titles
Zoku aoi sanmyaku, 푸른 산맥 2, The Blue Mountains Sequel, 續青い山脈, The Blue Mountains II, 속 푸른 산맥, Голубые горы. Часть 2, La Montagne bleue, 2e partie, 青色山峦后编
Genre
Drama
Releases by Date
- Date
- Country
Theatrical
26 Jul 1949
Japan
Releases by Country
- Date
- Country
Japan
26 Jul 1949
- Theatrical
91mins More atIMDbTMDB Report this page
Popular reviews
MoreReview by Moresbi ★★★½
"Zoku aoi sanmyaku" aka "The Blue Mountains: Part II" pretty much picks up where Part I left off and, while with a different feel, complements and concludes the previous events.
Just for context, the first 8/9 minutes were a short recap of Part I.
Also, and once again, imdb's synopsis isn't 100% accurate and actually spoils the events.
The plot is far less focused on the political angle of events and more focused on the reactions to the "main" event, the "romances" that sprout from it and an overall lighter and brighter view of things. There's a specific scene that really didn't seem to fill in with the rest lol
Once more, the beautiful Setsuko Hara leads the way, sharing…
Review by Ruben Quiroga Kanahuaty ★★
Much more conversational and civilized with a little less charm than part one.
Review by Oscar Lau ★★★
Thematically it should be one film instead of separating into two parts, they’re not that long together anyway. The climactic ‘parental meeting’ once again finds the solemnity and comedy present at once, but following the story for two hours already, it feels much more homogenous. The performance of the cast is in general excellent, it’s nice to see Setsuko Hara in a more ‘dynamic’ role here.
Review by PUNQ ★★½
The two Blue Mountains films are sweet films. Almost too innocent in its curiosity for romance to make a mark. The first one feels more youthful, while part two more mature, but still just as naive as the first one. The main positive thing is the acting which is so nice and calm, making them a pleasant viewing experience.
Review by Decoupage ★★★½ Liked
Parts I and II together are almost great, but the ridiculous and stupid fight scene near the end drops this one into the " just good" category. Still, the school investigation scene goes on for like 30 minutes and amazingly never gets boring, the scene with Yoko Sugi and Ryo Ikebe sunbathing must have felt like a Roman Porno flick to 1949 Japanese audiences, and the final bicycle ride and scene on the beach vibing to the famous Blue Mountains theme song make this a worthy two-night viewing.
Review by Fernando Figueroa ★★★½
This review may contain spoilers. I can handle the truth.
Review by DepresedBergman ★★
The plot gets weirder and lengthier here in this. I find that Imai was unsure of what to do after a certain period of time and clubbed all the characters into one to give an ending of sort. Disappointing, to say the least.
Review by dirtylaundri ★★★½ Liked
Not much plot in part 2, it's mostly about working through, both emotionally and discursively, the events of part one. More often than not, this brings out the film's strengths. For starters, Imai makes better use of Hara, her face is so radiant at times, he just has to cut directly to fireworks, afterwards. There's also an extremely sensual beach scene, like something out of a sun tribe film.
Somewhere in the middle the film grinds to a complete halt while everyone is summoned in school to discuss the state of juvenile morality. Almost half an hour of excessive, mugging social theater, and clearly the best part of BLUE MOUNTAINS.
Review by Creolecat ★★★★ Liked
Very enjoyable 2 part film in a school setting. The theme of old values versus the new post war Japan. It was nice to see Setsuko Hara in a different type of role. I would say this is a comedy drama as there were scenes that had me laughing, and there was profanity. Nothing vulgar, just a surprise.
Review by Muriru ★★★½
O final me remeteu a Pai e filha do Ozu, as bicicletas e a praia.
Review by Muffintree ★★½
This review may contain spoilers. I can handle the truth.
Review by ellis ★★★
somehow I felt this was not quite on par with the first film, largely because it was mostly dedicated to conflict resolution; all the character work and introductions to the town’s social milieu that i enjoyed in part 1 took a backseat here. nonetheless, still good